The Dead Tongues with Libby Rodenbough
This is a 18+ event with standing room only 17 and under admitted with a parent or guardian After five months of not picking up an instrument, The Dead Tongues’ Ryan Gustafson wanted to get rid of everything that was tied to his identity as a musician. He even thought about changing his name. He was getting ready to throw out old notebooks packed with years of material but, for some reason, he decided to stop and go through them, just to see if there was anything worth saving. And sure enough, he found some images and lyrics, threads from former selves he didn’t want to lose. Thus was the catalyst for Dust, his fifth and best album as The Dead Tongues. Gustafson recorded Dust in nine days, the fastest he’d ever recorded anything. It was the fastest he’d ever written anything, too – in the past, writing a song would take months, but this time he somehow felt freer, and wanted to have fun. The record was recorded at Sylvan Esso’s studio, Betty’s, in the woods of Chapel Hill, North Carolina. He built it out with help from a number of his musician friends – Joe Westerlund (Watchhouse, Megafaun, Califone) on drums, Andrew Marlin (Watchhouse) on mandolin, backing vocals from Alexandra Sauser-Monnig and Molly Sarlé of Mountain Man, among others. Dust is meant to be listened to while taking a night drive, farflung and roving and existential. Somewhere between the expansiveness of American jamband and the banjo-centric folk songwriting of Gustafson’s Appalachia home. Gustafson explains the thematic throughline succinctly: “It’s this idea of uprooting and rebirth and cycles, and the past informing the future, and the future informing the past. There is no single story. Everything is connected.”
Roger Clyne & the Peacemakers wsg Bri Bagwell
This is a 18+ event with standing room only 17 and under admitted with a parent or guardian“Here’s to life!” Fans around the world can be found singing the chorus of the Roger Clyne-penned fan favorite “Mekong” and toasting their glasses in unison to celebrate life through rock-n-roll. But the inspiration for the song dates back to the time Roger went to Taipei, Taiwan, as a college student to teach English during the day and busk with his guitar at night for money. Today, as Clyne prepares to record his 11th studio album, he continues to transform his life experiences, inspirations, observations and his own muses into timeless music. And whether he’s wearing his Converse high tops, boots or sandals, Clyne’s blend of punk rock, country-western and mariachi influences have made him, drummer PH Naffah, guitarist Jim Dalton and bassist Nick Scropos – collectively known as Roger Clyne & The Peacemakers – one of America’s best live rock-n-roll bands.AMIGO PASS DETAILS & LINK TO PURCHASEhttps://www.etix.com/ticket/p/76002577/amigo-pass-roger-clyne-the-peacemakers-wsg-bri-bagwell-kalamazoo-bells-eccentric-cafeDoes not include a ticket for entry, much purchase that separately. Entry 40 minutes before doors Amigo Pass Laminate 30 minute band performance with Q & A Bars will be open, pass holders can pick their best spot to watch the show prior to GA entry
Keller Williams’ presents DeadPettyKellerGrass ft. The HillBenders
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2024 Bell’s Beer Garden Summer Concert SeriesThis is a 18 and over event. Virginian, Keller Williams, released his first album in 1994, FREEK, and has since given each of his albums a single syllable title: BUZZ, SPUN, BREATHE, LOOP, LAUGH, HOME, DANCE, STAGE, GRASS, DREAM, TWELVE, LIVE, ODD, THIEF, KIDS, BASS, PICK, FUNK, VAPE, SYNC, RAW, SANS, ADD, SPEED, CELL, GRIT and DROLL. Each title serves as a concise summation of the concept guiding each project. Keller’s albums reflect his pursuit to create music that sounds like nothing else. Un-beholden to conventionalism, he seamlessly crosses genre boundaries. The end product is music that encompasses rock, jazz, funk and bluegrass, and always keeps the audience on their feet. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. For most of his career he has performed solo. His stage shows are rooted around Keller singing his compositions and choice cover songs, while accompanying himself on acoustic guitar, bass, guitar synthesizer and drum samples; a technique called live phrase sampling or “looping”. The end result often leans toward a hybrid of alternative folk and groovy electronica, a genre Keller jokingly calls “acoustic dance music” or ADM.” Keller’s constant evolution has led to numerous band projects as well; Keller & The Keels, Grateful Grass, KWahtro, Keller and the Travelin’ McCourys, Grateful Gospel, More Than A Little and now DeadPettyKellerGrass ft. The Hillbenders! Keller can be found playing clubs and festivals around the U.S. with these projects throughout the year. The Hillbenders are a talented five piece band consisting of dobro, banjo, mandolin, guitar and upright bass. They hail from Missouri and are a passionate and animated gaggle of players.
Kalamazoo Academy Of Rock
This is an all ages event. Kalamazoo Academy of Rock is back at Bell’s! These youth bands have been wow-ing audiences for years – come on down for a show like no other! For more information about KAR visit www.kzoorock.com
Kalamazoo Academy Of Rock
This is an all ages event. Kalamazoo Academy of Rock is back at Bell’s! These youth bands have been wow-ing audiences for years – come on down for a show like no other! For more information about KAR visit www.kzoorock.com
Satsang w/ Tim Snider
This is a 18+ event with standing room only “I just want to write and perform songs that touch the heart and help others”. Letting go of genre, expectation, and boxes, Satsang has leaned into the power of songwriting to drive their forthcoming release, Flowers From The Fray (the band’s 5th album in 6 years) due out Fall 2022.Recorded and self-produced with the help of bandmate and longtime collaborator Parker Brown, this record finds the duo tucked away in a secluded cabin in Southwest Montana digging back into the foundation on which Satsang was founded on. “These songs were all so personal to me” says Drew McManus. “Whether it was really sifting through the stage of life I had found myself in which was a kind of dark night of the soul, or leaning into the love of my wife. This record is truly me bearing my heart. I needed to seclude myself to find out where these songs wanted to go, and having Parker’s musical guidance had a big hand in that.”This record, coupled with the band’s last release All. Right. Now. is a maturing. A growing into the songwriter and musicians that the band was destined to be. A settled and firm foundation of influences and sound that brings every external aspect in and finds it internalized and distilled into “Flowers From the Fray”. Satsang Pre-Show VIP Experience50 packages per show // • One general admission ticket • Early venue entry • Intimate soundcheck performance by Satsang (Solo) • Q&A session with Satsang • Collectible 2023 tour poster, signed by Satsang • Commemorative pre-show tour laminate • Limited availability
Horsegirl w/ Cindy
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This is a 18 and over event with standing room only. Horsegirl is a noisy rock trio from Chicago composed of Penelope Lowenstein (she/her), Nora Cheng (she/her), and Gigi Reece (they/them). Horsegirl draws inspiration from shoegaze and post-punk, in the realm of ‘90’s American and UK indie underground.
Horsegirl w/ Cindy and The War Between
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18+ Event standing room only Horsegirl is a noisy rock trio from Chicago composed of Penelope Lowenstein (she/her), Nora Cheng (she/her), and Gigi Reece (they/them). Horsegirl draws inspiration from shoegaze and post-punk, in the realm of ‘90’s American and UK indie underground.
Southern Culture on the Skids
This is a 18 and over event with standing room only Southern Culture On The Skids has been consistently recording and touring around the world since 1983. The band (Rick Miller – guitar and vocals, Mary Huff – bass and vocals, Dave Hartman – drums) has been playing together for over 30 years. Their musical journey has taken them from all-night North Carolina house parties to late night TV talk shows (Conan O’Brien, The Tonight Show), from performing at the base of Mt. Fuji in Japan to rockin’ out for the inmates at North Carolina correctional facilities. They’ve shared a stage with many musical luminaries including Link Wray, Loretta Lynn, Hasil Adkins and Patti Smith. Their music has been featured in movies and TV, parodied by Weird Al, and used to sell everything from diamonds to pork sausage. In 2014 the band was honored by the Southern Folklife Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. Their legendary live shows are a testament to the therapeutic powers of foot-stomping, butt-shaking rock and roll and what Rolling Stone dubbed “a hell raising rock and roll party.”At Home with Southern Culture on the Skids is the latest full length album from the band and was released in March of 2021. It was recorded during the stay at home period of the pandemic when the band was at home and not touring. The album consists of 11 tracks recorded and mixed in Rick Miller’s living room with some additional tracks recorded at his studio, The Kudzu Ranch.The first radio single off the album is “Run Baby Run”—a rocking number with deep garage roots. SCOTS bassist Mary Huff provides an urgent vocal while the band pulls back the throttle on a full race fuzz fest—cause she’s gotta to go fast! Run Baby Run!The other songs on the album are a combination of the band’s unique mix of musical genres: rock and roll, surf, folk and country—all a bit off-center, what Rick proudly calls “our wobbly Americana”. Rick goes on, “We put a few more acoustic guitars on this one, as you would expect if you recorded in your living room, but it still rocks like SCOTS. So put your headphones on, get in your favorite chair/sofa/recliner, put on “At Home With” and let’s hang out for a while.”
Mungion w/ Pajamas
This is a 18+ event with standing room only Mungion is Justin Reckamp (Guitar/Vocals), Joe Re (Keys/Vocals), Grant Martin (Bass/Vocals) and Jonny Gifford (Drums). Drawing inspiration from a wide array of musical styles, they create a raucous, yet jubilant sound all of their own. Since their inception in Spring of 2015, Mungion is quickly becoming known for their undeniably explosive and charismatic live shows. The Chicago-based four-piece is rooted in their ambitious compositions and improvisational ability.Known for their whimsical songs and goofy stage antics, Mungion’s joyous presence is a natural extension of its members, making for live performances that are infectiously lighthearted and deeply sincere. Mungion is guaranteed to have you smiling ear to ear and leaving wanting more.