Saxsquatch & Bridge Band wsg Basic Comfort
This is a 18+ event with standing room only17 and under admitted with a parent or guardian Saxsquatch: Multi-instrumentalist. Music Enthusiast. Doesn’t want to be in your pit orch. Basic Comfort: alternative pop band Basic Comfort from Kalamazoo, Michigan: Band members: Mitchell plays keys and sings, Schadig and Mike Anyonga play guitar and sing, and Ryan Edgar plays bass. Latest album: Dimensions is their self-produced second album, which explores connection to the self and others
Mighty Big Rig Album Release wsgs. Sean Anthony Sullivan & Ten Peso Version
18+ Standing Room Only Show 17 and under admitted with a parent or guardian Just by listening to their newest album, “Solitude,” you wouldn’t believe that members of the Kalamazoo-based Mighty Big Rig only have a few years of jamming under their belts. The rich grooves, the complex layers behind its instrumentation and solos that range from ear-melting to soul softening all resonate as they point to veteran musicianship.
Knee Deep Shag wsg. The Grace Theisen Band
This is a 18+ event with standing room only17 and under admitted with a parent or guardian Though their live shows have been further between for the past decade, KneeDeepShag still remains an influential force in the Michigan music scene. The boys have been busy working on an array of other independent and nationally recognized musical endeavors, but every so often the itch to return to the stage as a group, and reconnect with the fans and the music just can’t be ignored. Their evolving and original live set ranges from high-energy rock and soulful ballads, to deep dance grooves and a “super rock cover” or two – sure to satisfy your mind and your behind. Heavyweight players and songwriters at every position: Phil Barry on guitar, Matt Gross on vocals, Rob Cookman on keyboards, Jeff Moehle on drums and Mike Fuerst on bass. See you at the show!
SunSquabi & Late Night Radio w/ Floppy Drive
This is a 18+ event – 17 and Under w/ Guardian Standing room only Music brings us to our feet literally, figuratively, and spiritually. It inspires us to rise up to our day’s trials and tribulations, and on a larger scale, the world’s challenges. Through an unspoken sonic communion between three distinct musical identities, SunSquabi—Kevin Donohue [guitar, keys, production], Josh Fairman [bass, synth], and Chris Anderson [drums]—rouse us from inactivity and into action when we need the extra push through their signature live electronica sound. After racking up tens of millions of streams and delivering rapturous performances at legendary venues such as Red Rocks Amphitheatre, they incite personal revolution louder than ever on their third full-length album, Arise, releasing on October 26, 2022. “Since we’ve all been put down very hard for the past two years, the entire world has felt this pressure, sadness, and struggle,” observes Kevin. “So we tried to relay a message of arising from the ashes and becoming something new. This album shows how we’re able to do so during a really tough time.” SunSquabi has ignited the energy of listeners everywhere since 2015. They’ve unveiled a string of fan favorite releases such as Odyssey [2016], Deluxe EP [2017], and Instinct [2019]. In addition to praise from 303 Magazine, JamBase, Live For Live Music, and many more, WestWord proclaimed, “The record has electrifying moments,” and ThisSongIsSick raved, “SunSquabi never fails to bring the funk. Throughout the project they showcase their instrumentation highlighting shredding guitar riffs, funky basslines and crisp percussion with just the right touch of electronic production elements.” Along the way, they’ve sold out venues coast-to-coast, capturing one of three Red Rocks gigs so far on SunSquabi (Live at Red Rocks). The guys have collaborated with String Cheese Incident, Late Night Radio, Lettuce, and GRiZ, to name a few. During 2019, the musicians began kicking around initial ideas for Arise during marathon jam sessions. As the Pandemic shut down touring, SunSquabi continued to write and record. “A couple of songs came together as jams in the basement or on live streams,” recalls Kevin. “We’d rework these improv-based ideas in the studio. It was an extended process. We definitely took advantage of the time.” Josh adds, “We’re very proud of the band staying true to the music and to each other. We came together during the Pandemic and made sacrifices together. We’ve bonded as a band. We don’t try to jump on any trends. We’re true to ourselves and make music we feel in our hearts.”
Will Wood Slouching Towards Bethlehem! Tour w/ Shayfer James
This is a 18+ event with standing room only Generally associated with hallucinations and dead rats, singer-songwriter and pianist Will Wood has been described as something of a recluse, quote “because I told my publicist to.” Wood’s dramatic songwriting is characterized by a sense of humor that whiplashes between too dry to detect and aggressively absurd, as well as a combination of both intensely emotional and surrealist lyricism, and his solo performances follow suit. His work has only increased in popularity since beginning a hiatus after the release of his “musical suicide note” In Case I Make It, and the Slouching Towards Bethlehem tour is his first time playing live in two years. Will Wood lives in New Jersey, likes to read, and has three pet rats, named “Snooter Man,” “Mister Bubbles,” and “Bastard.”
WILD PINK with FRIENDSHIP & The Soods
18+ Standing Room Only Show 17 and under admitted with a parent or guardian Wild Pink, the New York-bred project of John Ross builds worlds inhabited by ghosts and angels and aliens, inciting a strange and lovely daze as the backdrop shifts from the mundane (subdivisions, highways, hotel parking lots) to the extraordinary (deserts, battlefields, the moon). But within its vast imagination lies a potent truth-telling on the part of singer/guitarist John Ross who’s lyrics lay out potent stories that paint with broad brush strokes. 2021’s A Billion Little Lights—a critically acclaimed effort praised by the likes of Pitchfork, NPR, Vulture, and Stereogum, who named it “one of the prettiest rock records of the past decade”— and who has collaborated with J Mascis, Julien Baker, Ryley Walker, Yasmin Williams, Samantha Crain and more on the latest album ILYSM. Not to mention appearances on CBS This Morning, KEXP and Stereogum sessions and many more accolades to name during Wild Pink’s impressive rise over the years. Now signing with Fire Talk, Wild Pink yet again peels open a new chapter of their ever evolving career, digging into a more realized and full indie rock sound with the force and precision of a seasoned veteran ready to take the leap and step into the spotlight getting their long deserved and well earned due.
Tommy Prine w/ Theo Kandel
This is a 18+ event with standing room only Tommy Prine’s debut album This Far South (released 6/23/23) is not only a long-awaited introduction but a testimony toPrine’s 20s and the loss, love, and growth that has defined them. Co-produced by a close friend and kindred musical spirit, Ruston Kelly, and beloved Nashville engineer and producer, Gena Johnson, the album is rich and dynamic from cathartic jams to nostalgic storytelling.”I feel like I’ve learned more about myself in the last year and a half than I ever have in my life,” Prine says. “And I thinkthat speaks a lot to doing something that I’m passionate about. I love and respect the craft. Just hitting the road and doing what so many people before me have done and will continue to do, it’s really resonated with me. I think it has transformed me into the person that I am meant to be.”
THE MARTIN SEXTON ABBEY ROAD SHOW
This is a 18 seated show 17 and under admitted with a parent or guardian Martin Sexton puts his signature style on his rendition of this iconic Beatles album combining what Rolling Stone calls his “soul-marinated voice” with his inventive guitar prowess. We are all invited to Come Together to experience these brilliant songs celebrated in such a compelling reimagined way. Martin Sexton Abbey Road Show VIP ticket: – preferred seating – post-show Meet & Greet – Exclusive Martin Sexton Abbey Road Show souvenir keychain of unreleased recordings
Cole Chaney w/ Tony Logue and the 184
This is a 18+ event with standing room only 17 and under admitted with a parent or guardian Originally from Boyd County, KY, Chaney has since relocated to Lexington and is sure to be the next big thing coming out of Kentucky. At only 21 years old, Chaney’s catalog may be small, but he already boasts an absolute masterpiece of an album in which he proves wise beyond his years. Mercy, his debut album released in 2021, is a 12-song showcase of Eastern Kentucky, blue collar anthems highlighted by Chaney’s deft lyricism and storytelling. An unknown musician prior to the album’s release, Chaney has since experienced a meteoric rise in popularity and has quickly amassed a growing and dedicated fan base, already thirsty for new music. -Whiskey Riff
Font
This is a 18+ event with standing room only Austin quintet Font — Thom Waddill (guitar/synth/vocals), Jack Owens (drums), Anthony Laurence (guitar/synth/sampler), Logan Wagner (percussion/sampler), and Roman Parnell (bass/synth) — announce their debut album, Strange Burden, to be released July 12th via Acrophase Records, and present its blistering and irresistibly dancy lead single “Hey Kekulé.” Strange Burden shows Font both translating the intensity of their live shows into the studio and polishing the surfaces of their music to juxtapose and dislocate genres with a quick-footed, nearly pop-art sensibility. Leading up to the album’s release, Font will support Yard Act throughout the west coast. Font create driving music of sampled stabs, dance beats, and euphoric choruses. As drummers Owens and Wagner lock into a co-constructed groove, Parnell’s bass bridges the kinetic back line to multi-instrumentalist and environment-shaper Laurence. From this density emerge frontman Waddill’s associative lyrics and electric-shock dance. They chose their name because it’s the archaic word for “fountain”; it implies both an abundance and the receptacle that holds it. To watch the band is to experience a tension of excess and containment as each member pulls the music into something that transcends its starting terms. In creating Strange Burden, the band referred increasingly to Talking Heads’ writing process with Brian Eno for Remain in Light, where the rhythm section would lay down grooves and loops for Eno and Byrne to later structure and write over. The first real flash of success with this process came with “Hey Kekulé,” the blistering and irresistibly dancy lead single for Strange Burden, which was a big step forward for the band and how it could live and grow together as an organism.
