EMO NIGHT BROOKLYN
18+ event | 17 and under with a parent or guardian standing room only WELCOME TO EMO NIGHT BROOKLYN, A LATE NIGHT DJ BASED DANCE PARTY BLASTING ALL YOUR FAVORITE EMO AND POP PUNK JAMS. WE MAY EVEN INVITE SOME OF YOUR FAVORITE ARTISTS AND BANDS TO SURPRISE YOU AND JOIN THE PARTY. GET READY TO SCREAM YOUR LUNGS OUT, MOSH AND DANCE TO ALL YOUR FAVORITE SONGS WITH ALL OF YOUR FAVORITE PEOPLE AND EXPERIENCE THE AWESOMENESS THAT IS EMO NIGHT BROOKLYN.
The Weather Station: Humanhood Tour wsg Sister Ray
This is a 18+ event with standing room only 17 and under admitted with a parent or guardian It takes only 10 seconds for Tamara Lindeman to pull us to the floor on Humanhood, the seventh and most arresting album she has ever made as The Weather Station. “I’ve gotten used to feeling like I’m crazy—or just lazy,” she sings at the start of “Neon Signs,” her voice at once a soft whisper to a confidant and a full-throated confession to a crowd. “Why can’t I get off this floor? Think straight anymore?” If you don’t know this feeling, consider yourself blessed, because it seems these days like our true modern malaise, that unbound sense of not knowing how or what it is we’re supposed to contribute to this fractious world, or if we even have the energy or will to try. That disoriented sense is the emotional throughline of Humanhood, written during one of the most difficult periods of Lindeman’s life and rendered with a rock band with improvisational chops just as she began to recover by reckoning with a complicated truth: Sometimes, life simply tries to dismantle us, and we must accept that in order to survive. From the outside, 2022 likely appeared a banner year for Lindeman. Her 2021 album Ignorance—a deeply personal but widely resonant reflection on climate change, or how we’ve learned to live alongside our own existential undoing—was one of that year’s most celebrated records. 2022, then, was a time of touring, travel, and activism alongside the release of Ignorance’s more austere companion, the beautiful How Is It That I Should Look at the Stars. But at an ostensible new professional peak, she was also going through a mental health crisis she mostly kept hidden. As Lindeman has done for at least 15 years, she turned to songwriting, combining pain, confusion, and flickers of distant hope with ideas about advertising, capitalism, and how we’re meant to feel very specific ways into pages and pages of lyrics. In the past, Lindeman mostly wrote about her past, turning backwards to gain perspective. But for Humanhood, she worked with the present as she tried to endure it. Humanhood, then, radiates with new urgency—and emerges as a sort of tether, offered up here for any of us else feeling disconnected from the vertiginous reality of right now. In the fall of 2023, Lindeman gathered six musicians at Canterbury Music Company, where she had recorded Ignorance and How Is It That I Should Look at the Stars, alongside co-producer Marcus Paquin. Several of these players—drummer Kieran Adams, keyboardist Ben Boye, percussionist Philippe Melanson, reed-and-wind specialist Karen Ng, and bassist Ben Whiteley—had worked together but never in this specific arrangement or context. Lindeman, after all, wanted to hear the sudden sparks made by these new encounters, to witness everyone react in real-time to the songs and sketches she supplied. Sister Ray: Born and raised in the Alberta prairies of Sturgeon County, and now based in Toronto, the25-year-old artist earned widespread attention with their acclaimed debut effort, Communionand follow up EP, Teeth. Backed by ginla’s Joe Manzoli and Jon Nellen, both of whompreviously played with Adrianne Lenker and Lorely Rodriguez (Empress Of), the record was anunvarnished portrait of heartbreak, and the mundane realizations of how the experiences thatcomprise your past instruct how you move through the world.
Satsang w Sierra Marin
This is a 18+ event with standing room only 17 and under admitted with a parent or guardian Satsang was founded by Montana-based musician Drew McManus in 2014. Known for their heartfelt, genre-blending sound, Satsang merges elements of folk, hip-hop, reggae, and rock, infusing each song with introspective lyrics and a strong message of positivity, spirituality, and social awareness. The name “Satsang” reflects the band’s mission, derived from the Sanskrit words for “truth” (sat) and “company” (sang), symbolizing gatherings aimed at seeking and sharing deeper truths. The band’s music often draws from McManus’s own journey of self-discovery, healing, and connection to nature, as well as his experiences with addiction and recovery. With soulful vocals, acoustic melodies, and rhythmic versatility, Satsang creates a powerful atmosphere in both their recordings and live performances. They have built a dedicated following through their relatable messages about love, unity, and resilience, as well as their active support for social and environmental causes. Over the years, Satsang has released several albums, each resonating with themes of hope, introspection, and community. Their live shows are particularly celebrated for creating a space that feels like a “satsang”—a gathering for connection and upliftment— where fans can come together to share in a collective experience of music, inspiration, and truth-seeking. Satsang Pre-Show VIP Experience • One general admission ticket • Early venue entry • Intimate soundcheck performance by Satsang (Solo) • Q&A session with Satsang • Collectible tour poster, signed by Satsang • Commemorative pre-show tour laminate • Limited availability
TAUK w/ Chalk Dinosaur- Winter 2025 Tour
This is a 18 and over event with standing room only 17 and under admitted with a parent or guardian TAUK has been painting with sound for nearly a decade now, pushing boundaries and reinventing themselves every chance they get. Founded by Dolan, Jalbert, and Carter, who began playing together as middle schoolers on Long Island, the band landed on its present incarnation in 2012, when college pal Teel joined full time. Since then, the quartet has gone on to tour with the likes of Umphrey’s McGee, Widespread Panic, and Lettuce, landed festival slots everywhere from Bonnaroo to Electric Forest, racked up millions of streams across platforms, and garnered extensive critical praise with a series of widely lauded studio and live albums. The Washington Post hailed the band’s music as “a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities,” while Keyboard Magazine declared that their sound “doesn’t adhere to a single genre but, instead, creates its own,” and Relix dubbed them “an incredibly impressive ensemble of talent.”
BAD BAD HATS wsgs. SMUT
This is an 18+ event with standing room only | 17 and under must be accompanied by a parent/guardian. Advance tickets may also be purchased in person at the General Store by card only (no cash) Bad Bad Hats is an indie rock band from Minneapolis, Minnesota. Kerry Alexander and Chris Hoge met in college and formed the band in 2012. In the 10 years of BBH, they have toured the country many times in their trusty minivan, sampling the best local cuisine along the way. BBH has toured with The Beths, Margaret Glaspy, The Front Bottoms, Hippo Campus, and Michelle Branch, among many others. Their fourth album Bad Bad Hats will be released April 12, 2024 on Don Giovanni Records.
THE VERVE PIPE
This is a 18+ event with standing room only| 17 under with a parent or guardian Advance tickets may also be purchased in person at the General Store by card only (no cash) The Verve Pipe has spent the better part of three decades in evolution, creating a sound that transcends genre and generation. It’s a sound rooted in pop hooks, alt-rock guitars, and the sharp songwriting of frontman Brian Vander Ark. A sound that’s taken the band from the golden days of late-’90s modern rock — when The Verve Pipe enjoyed multi-platinum success with hits like “Photograph,” “Never Let You Down” and the #1 single “The Freshmen” — to the rule-breaking creativity of the 2010s and beyond, an era that’s found the band reinventing itself with each release. With a reputation for spectacular live performances, The Verve Pipe continue to create new music as an independent band, maintaining their commitment to forward-thinking rock & roll with each new release.
Kalamazoo Academy Of Rock
This is an all ages event. Kalamazoo Academy of Rock is back at Bell’s! These youth bands have been wow-ing audiences for years – come on down for a show like no other! For more information about KAR visit www.kzoorock.com
Kalamazoo Academy Of Rock
This is an all ages event. Kalamazoo Academy of Rock is back at Bell’s! These youth bands have been wow-ing audiences for years – come on down for a show like no other! For more information about KAR visit www.kzoorock.com
Kalamazoo Academy Of Rock
This is an all ages event. Kalamazoo Academy of Rock is back at Bell’s! These youth bands have been wow-ing audiences for years – come on down for a show like no other! For more information about KAR visit www.kzoorock.com
May Erlewine & The Motivations Winter Dance Party
This is a 18 and over event with standing room only. 17 and under admitted with a parent or guardian On a few special dates each year, singer-songwriter May Erlewine breaks from her Americana and folk roots to front The Motivations: a seven-piece dance-party funk band that dishes up boogie jams and classic soul cuts. ​ The project was born in the winter of 2016, when Erlewine set out to make music and create a positive space for the weary and grieving. That idea eventually took shape in the form of retro-groove dance parties meant to get people moving, make them feel connected, and help them celebrate the moment — and each other. The result? Shows that deliver feel-good fun and small revolutions to shake things up, just enough. ​ The Motivations feature Phil Barry on guitar and vocals, Joe Hettinga on synth, keys and vocals, Eric Kuhn on guitar and vocals, Max Lockwood on bass and vocals, Mike Lynch on organ and keys, Terrence Massey on trumpet and vocals, Brandon Proch on saxophone and Michael Shimmin on drums, percussion and vocals.
