DEHD with SWEAT FM and Merlin Brando
18+ Standing Room Only Show 17 and under admitted with a parent or guardian DEHD has partnered with PLUS1 so that $1 per ticket goes to supporting organizations working for equity, access, and dignity for all. www.plus1.org Cigarettes burn in the moonlight. Necklaces bang against bare chests. And on their triumphant fifth album Poetry, Dehd transports us to a world steeped in imagery. It’s a world painted in the sunset tones of summer romance and flickering old flames. It’s motorcycle chrome (“Mood Ring”), it’s fake Gucci Sunglasses (“Dog Days”), and it’s shaking hands before a swaying lover (“Hard to Love”). Across fourteen songs, the trio–Jason Balla, Emily Kempf, and Eric McGrady–throw themselves against the question of what it means to hope, knowing all too well that things end and hearts can break. “You can’t beat death, but you can beat death in life,” wrote Charles Bukowski and upon listening to this album it’s obvious the band has chosen to attempt the latter. After hitting a stride with their 2020 breakout record Flower of Devotion, followed by their radiant Fat Possum debut Blue Skies in 2022, Dehd did something different. They turned a writing session into a road trip. With a van full of recording equipment they headed to Kempf’s off-grid Earthship in New Mexico where they chopped wood to keep warm and worked for as long as the solar panels held a charge. They then traveled north to a borrowed cabin surrounded by the chilly waters of the Puget Sound, where the hours were marked only by the movement of the tide. On the way back to Chicago for their final writing session at the warehouse they’ve called home for over a decade, Balla and McGrady became stranded for days in rural Montana after hitting a deer and abandoning their van. This tireless sense of adventure, both internal and external, has become a trademark of Dehd over the years. “Eating, sleeping, breathing—our only purpose was to write,” Kempf recalled. And it seems in this place of quiet focus Dehd have achieved their most honest and vulnerable writing yet.
CHAPPELL ROAN NIGHT – PINK PONY CLUB
18+ Standing Room Only Show 17 and under admitted with a parent or guardian Club 90s celebrates the music and culture of the 1990s. They host themed events with a variety of ’90s music genres, including hip-hop, R&B, pop, and alternative. Attendees often dress in ’90s-inspired clothing, such as prom sashes, feather boas, and merchandise for artists like Olivia Rodrigo, Taylor Swift, and Roan. The club’s goal is to create an immersive atmosphere that allows attendees to relive the nostalgia of the decade.
The 1985 – Totally 80’s Mixtape LIVE!
18+ Standing Room Only Show 17 and under admitted with a parent or guardian The 1985 is the Midwest’s Totally 80’s Music Tribute Band that features the best of the 1980s rock, pop, new wave, metal and club. While we just wanna have fun, we take our roles as performers seriously. We have a fine-tuned, super-charged technical show that combines lights, videos, costumes and more to create a totally immersive music experience. Our goal is to help you turn back time and party like it’s 1985.
Katy Needs A Life + Hollywood Makeout + Yellowhouse
18+ Standing Room Only Show 17 and under admitted with a parent or guardian Katy Needs A Life is an electronic, sad-pop band from Kalamazoo, MI that’s been bringing down parties in one form or another for over a decade. Hollywood Makeout are the Grand Rapids visionary surfpop band led by Erin Lenau. Yellowhouse are the winners of Kalamazoo’s 2024 Battle of the Bands round at Bell’s
Emo Night LIVE w/ All American Throwbacks – SOLD OUT
18+ Standing Room Only Show 17 and under admitted with a parent or guardian ••All American Throwbacks•• will be performing your favorite pop punk and emo throwback hits from all the scene bands such as Fall Out Boy / Blink-182 / Panic! @ The Disco / Sum 41 / Good Charlotte / All Time Low / Taking Back Sunday / My Chemical Romance / AFI / The Used / Metro Station / Falling in Reverse / Pierce The Veil / 3OH!3 / & SO MANY MORE! If it’s a song you cried to in middle school, we probably play it (; Don’t identify as an emo kid? That’s fine! We play tons of hits that you’ll be sure to know. We’ll have you cryin’ in da club to Mr. Brightside, or dancing to a few surprises. Come party! This band is more than just a show – it’s a full on party! With complete crowd interaction & non-stop banger after banger, they’ll have you singing along, dancing, and party song after song all night long. Emo attire is highly encouraged! Wear your emo best & let’s prove it was NEVER A PHASE </3
mekons
This is an 18+ seated event | 17 and under admitted with a parent or guardian Advance tickets may also be purchased in person at the General Store by card only (no cash) Sonic adventurers, punk rock fundamentalists, exuberant luddites, willing outcasts. “The mekons are the most revolutionary group in the history of rock ‘n’ roll” – wrote rock critic Lester Bangs The genre-defying mekons formed in Leeds, England in 1977. Born from the emerging British punk scene, they progressed from art students with no musical skills to the prolific, raucous progeny of Hank Williams. This current classic line-up has remained intact since the mid-1980s, continuing to regularly tour and release new music through to now. Theirs is an improbable history – a surprising and influential embrace of folk and country music with occasional forays into the art world. They have always worked collaboratively and collectively with all work credited to the band, never to individuals. Their mind-boggling output consistently blurs the lines between high art and low and has included exhibitions in the UK and US, a deranged pirate musical recorded and staged with Kathy Acker, an art performance with Vito Acconci, and several books including the unique art catalog/unfinished novel Mekons United. “Revenge of the mekons”, a documentary about the band received nationwide release in 2015 on Music Box Films. The mekons continue to make bold, unpredictable music while staying true to the punk ethos. Their mind-boggling output consistently blurs the lines between high art and low and they remain one of the truly great live bands. Their last album “Exquisite” was recorded completely remotely during the early months of lockdown and released on Bandcamp in June 2020. The band’s new album, “Horror” was released on Fire Records in April 2025.
The Cat Empire: Bird in Paradise Album Tour wsg Bermuda Search Party
This is a 18 and over event. 17 and under admitted with a parent or guardian The Cat Empire: The Cat Empire have returned with vibrant, self-affirming new single-‘Doing Fine’ is out today via BMG Australia. Lead singer Felix comments, “Doing Fine is one of the edgiest and most dynamic tracks on the Bird In Paradise album. Lyrically it’s raw-grief, rage, reckless joy-brought together in the furnace of The Cat Empire’s very live performance.” LISTEN TO ‘DOING FINE’ HERE The third single off their forthcoming tenth studio album Bird In ParadiseoutMarch7, 2025viaBMGAustraliaalmost didn’t make the cut. The band’s musical director Ross Irwin explains, “Doing Fine went on quite a journey as a song. It was one that we weren’t sure was even going to make it onto the album, and as we headed into the studio it was 50/50 as to whether we would even pursue it. But once we started recording it and developing it during the tracking sessions, it transformed into a really exciting musical journey that has become a favourite track amongst the musicians and engineers who worked on the record. It has fire, it has drama, and it has a healthy dose of heart and lyrical honesty.” To accompany the new track, the band have offered up their latest video, an explosion of flamenco dance interspersed with Felix’s heavy-hitting boxing moves. Felix states, “The boxing / flamenco dance collision brought to life in the video clip seem to provide the right intent. It hits hard and it calls for something beautiful in the chaos. On the new album, Felix Riebl comments “Musically speaking, Bird in Paradise is an Australian-Flamenco, Afro-Cuban project. We’ve drawn from the themes of contemporary flamenco and Cuban music, and combined it with the grit, and toughness of Aussie rock history. Add Ollie’s Jazz influence and you have a sound only The Cat Empire can create. These influences are shaped by undercurrents of urban and outback Australia, adding an undeniably Aussie edge to international sounds. Bermuda Search Party: Unapologetically energetic, uplifting and with a live show that has been described as a “celebration of life”, Bermuda Search Party (FKA The Q-Tip Bandits) have emerged as a vibrant act that continues to touch audience’s hearts while getting them up on their feet. After meeting in college and cutting their teeth in the Boston DIY music scene, the band recorded and released their self-produced debut LP, Melancholy Flowers, in 2022. Dynamic yet intimate, Melancholy Flowers features the vocal stylings and songwriting of both guitarist Leo Son and bassist Claire Davis, and smooth and soaring trumpet and trombone from Maclin Tucker and Hoyt Parquet. The band toured in support of the record throughout the year, culminating in four Boston Music Awards nominations, for Live and Pop Act of the Year, Song of the Year for “Daisy,” and Album of the Year.
Three Grebes with OVERLY POLITE TORNADOES and Hopie Jo
18+ Standing Room Only Show 17 and under admitted with a parent or guardian Overly Polite Tornadoes are a husband & wife duo from Kalamazoo, MI (featuring Mark Andrew Morris & Holly Klutts-Morris from Tambourina). They play a mix of Introspective Bedroom Pop and Shoegaze. They are celebrating the release of their 3rd full length album, available on Vinyl and CD! Three Grebes is a project born out of a mutual love of improvisational music, exploring new ways to create delicate music, and making sure they eat at the best empanada place in every town. Beth McDonald (tuba and electronics) plays in the Ken Vandermark-led Edition Redux, and is well-entrenched in Chicago’s improv scene; her solo work stands as a testament to sonic exploration. Franki Hand (guitar, violin, accordion, vocals) has been a cog in Kalamazoo’s new music scene for a decade (she’s a member of Petrillo, Kalamazoo Drone Society, Wowza, and handturner). Ike Turnds. er can be seen riding his bike throughout town, probably with Sleep’s Dopesmoker playing in his ears; he’s in a million bands, too (Wowza, Out, Kalamazoo Drone Society, New Standards Men). They have a new album out that they’re happy to share with you at this show! This performance will feature their dear pal Kenni Dankert providing visual elements throughout the show.
EMO NIGHT BROOKLYN
18+ event | 17 and under with a parent or guardian standing room only WELCOME TO EMO NIGHT BROOKLYN, A LATE NIGHT DJ BASED DANCE PARTY BLASTING ALL YOUR FAVORITE EMO AND POP PUNK JAMS. WE MAY EVEN INVITE SOME OF YOUR FAVORITE ARTISTS AND BANDS TO SURPRISE YOU AND JOIN THE PARTY. GET READY TO SCREAM YOUR LUNGS OUT, MOSH AND DANCE TO ALL YOUR FAVORITE SONGS WITH ALL OF YOUR FAVORITE PEOPLE AND EXPERIENCE THE AWESOMENESS THAT IS EMO NIGHT BROOKLYN.
The Weather Station: Humanhood Tour wsg Sister Ray
This is a 18+ event with standing room only 17 and under admitted with a parent or guardian It takes only 10 seconds for Tamara Lindeman to pull us to the floor on Humanhood, the seventh and most arresting album she has ever made as The Weather Station. “I’ve gotten used to feeling like I’m crazy—or just lazy,” she sings at the start of “Neon Signs,” her voice at once a soft whisper to a confidant and a full-throated confession to a crowd. “Why can’t I get off this floor? Think straight anymore?” If you don’t know this feeling, consider yourself blessed, because it seems these days like our true modern malaise, that unbound sense of not knowing how or what it is we’re supposed to contribute to this fractious world, or if we even have the energy or will to try. That disoriented sense is the emotional throughline of Humanhood, written during one of the most difficult periods of Lindeman’s life and rendered with a rock band with improvisational chops just as she began to recover by reckoning with a complicated truth: Sometimes, life simply tries to dismantle us, and we must accept that in order to survive. From the outside, 2022 likely appeared a banner year for Lindeman. Her 2021 album Ignorance—a deeply personal but widely resonant reflection on climate change, or how we’ve learned to live alongside our own existential undoing—was one of that year’s most celebrated records. 2022, then, was a time of touring, travel, and activism alongside the release of Ignorance’s more austere companion, the beautiful How Is It That I Should Look at the Stars. But at an ostensible new professional peak, she was also going through a mental health crisis she mostly kept hidden. As Lindeman has done for at least 15 years, she turned to songwriting, combining pain, confusion, and flickers of distant hope with ideas about advertising, capitalism, and how we’re meant to feel very specific ways into pages and pages of lyrics. In the past, Lindeman mostly wrote about her past, turning backwards to gain perspective. But for Humanhood, she worked with the present as she tried to endure it. Humanhood, then, radiates with new urgency—and emerges as a sort of tether, offered up here for any of us else feeling disconnected from the vertiginous reality of right now. In the fall of 2023, Lindeman gathered six musicians at Canterbury Music Company, where she had recorded Ignorance and How Is It That I Should Look at the Stars, alongside co-producer Marcus Paquin. Several of these players—drummer Kieran Adams, keyboardist Ben Boye, percussionist Philippe Melanson, reed-and-wind specialist Karen Ng, and bassist Ben Whiteley—had worked together but never in this specific arrangement or context. Lindeman, after all, wanted to hear the sudden sparks made by these new encounters, to witness everyone react in real-time to the songs and sketches she supplied. Sister Ray: Born and raised in the Alberta prairies of Sturgeon County, and now based in Toronto, the25-year-old artist earned widespread attention with their acclaimed debut effort, Communionand follow up EP, Teeth. Backed by ginla’s Joe Manzoli and Jon Nellen, both of whompreviously played with Adrianne Lenker and Lorely Rodriguez (Empress Of), the record was anunvarnished portrait of heartbreak, and the mundane realizations of how the experiences thatcomprise your past instruct how you move through the world.
